Typical capoeira accompaniment featuring roomy-sounding percussion and cuicas with male lead vocal and chanting gang vocals that fade under the end percussion groove at 1.27
Smooth vibraphone and piano melodies feature in this swung bossa nova interpretation of 'Good King Wenceslas' with upright bass and brushed drums, creating a laid-back, festive vibe
This delicate and beautiful piece features an emotional and introspective piano melody accompanied by intricate chimes and atmospheric synth effects; at 1.30 the melody changes as the track develops further with double bass, distant pads and sombre cello